Faculty Accomplishments

Monahin, Nona & Pash, Meg. (2024, February 22). The Interdependence of Music and Dance in 16th-century Renaissance Dance Reconstruction. Early Dance Symposium 2024 - virtual conference hosted by the University of Pennsylvania and the Dance Studies Association’s Early Dance Working Group.

Monroe, A. (2024) As the Artistic Director of Trobár, Allison co-curated and co-directed performances of “I Sing a New Song” with Liza Malamut, Artistic Director of the venerated Newberry Consort, featuring a slate of some of the country’s best medieval musicians. They performed in both Cleveland and Chicago, to enthusiastic audiences, and received a glowing review.

Monroe, A. (2023) An episode of Les Délices' SalonEra featured a program that I created as Artistic Director for medieval music ensemble Trobár. Interviews with myself and another performer are interspersed with recordings of a May 2023 performance. https://salonera.org/podcast/shipwreck/

Presented his recent film, Light on a Path, Follow, as part of the Trans*Revolutions Virtual Symposium, presented by Barnard Center for Research on Women. This virtual symposium featured artist-activists whose work is inspired by and engaged in imagining trans* and genderqueer histories, performances, identities, and aesthetics.

Moskowitz, A. (2024) Invited Speaker, "Literature and the Senses." Amherst College, Center for Humanistic Inquiry, October 2024.

Moskowitz, A. (2023) Invited Speaker, “Imperception,” Political Concepts: The Literature Edition, The Cogut Institute for the Humanities, Brown University. March 2023. 

Mueller, Adeline presented her paper “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind” at the Annual Meeting of the American Musicological Society in 2023. She shared tactile replicas of one of the Institute's experimental notation systems, prepared by Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab).

Mueller, A. Presented “The Impossible Oratorio: Rejection, Refusal, and Blind Agency on the Eighteenth-century Stage” at the Annual Meeting of the American Society for Eighteenth-Century Studies (St. Louis MO, March 2023).

Mueller, A. Presented “Persuasive Performance: The Rhetoric of Blind Students' Concerts in Vienna, 1808-1824” at conference “Chamber Scenes: Musical Space, Medium, and Genre c. 1800” (Ira F. Brilliant Center for Beethoven Studies, San Jose CA, February 2023).

Adeline Mueller (Music) gave an invited lecture in the Musicology Colloquia series at the Peabody Institute of the Johns Hopkins University, entitled “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind, ca. 1819” (November 8). Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab) prepared three-dimensional replicas of an experimental music notation system illustrated in one of Mueller's nineteenth-century sources; these were shared with the audience at the lecture.