Faculty Accomplishments

Mitchell, S. (2020). Fault-Tracing: Against Quine-Duhem. A defense of the objectivity of scientific justification. Berlin/Boston Walter de Gruyter GmbH.
De Gruyter: https://www.degruyter.com/view/title/571778

Mitchell, C. (2020). United We Stand: Gruppenwettbewerb and European Banking Union. German Politics, 1–17. https://doi.org/10.1080/09644008.2020.1723001

Medieval music ensemble Trobár just released their first album, Il Dit Elle Dit: Love and Dialogue in the World of Christine de Pizan, featuring Allison Monroe (Artistic Director), Elena Mullins (Executive Director), Karin Weston, and Tis Kaoru Zamler-Carhart. The album is now available on all major streaming platforms or via their website: https://www.trobarmedieval.org/album

Moradi, S., Morse, A. C., Murphy, A. B., Pakru, D., & Shehabad, H. (2022). Geographies of precarity and violence in the Kurdish kolberi underground economy. Political Geography, 95, 102562.

Mosby, D. E.  (2003) Place, Language, and Identity in Afro-Costa Rican Literature. Columbia: University of Missouri Press.

Mosby, D. E. (2014) Quince Duncan: Writing Afro-Costa Rican and Caribbean Identity.  Tuscaloosa: University of Alabama Press.

Mosby, D. E., translator (2018).  Quince Duncan's Weathered Men and The Four Mirrors:  Two Novels of Afro-Costa Rican Identity.  Afro-Latin@ Diaspora Series, Palgrave Macmillan.

Moskowitz, A. “Imperception.” Political Concepts: A Critical Lexicon, iss. 7, 2024.

Moskowitz, A. The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century.” NOVEL: A Forum on Fiction, vol. 56, no. 1, 2023, pp. 1-20.

Moskowitz, A. “Apathy, Political Emotion, and the Politics of Space in Thoreau’s Antislavery Writing.” Criticism: A Quarterly for Literature and the Arts, vol. 64, no. 2, 2022, pp. 139-160.