Faculty Accomplishments

Mbembe, A. & Shread, C. (trans.) (2021) Notes on Late Eurocentrism, Critical Inquiry In the Moment. (2021, July 1). Retrieved from https://critinq.wordpress.com/2021/07/01/notes-on-late-eurocentrism/

Shread, C.  (2021) Response by Shread to “Representing experiential knowledge”, Translation Studies, 14(1), 104-108, DOI: 10.1080/14781700.2020.1850333

Shread, C. (2020, August 6). "Taking the Risk To Translate as Our Intelligence Morphs." Columbia University Press Blog. Retrieved from: https://www.cupblog.org/2020/08/06/taking-the-risk-to-translate-as-our-intelligence-morphsby-carolyn-shread/

Ergun, E., Shread, C. et al.. (2020). Women (Re)Writing Authority: A Roundtable Discussion on Feminist Translation. In Translation, Feminism and Gender (pp. 1-30). London, UK: Routledge.

Mbembe, A. & Shread, C. (trans.) (2020) The Universal Right to Breath, Critical Inquiry In the Moment. (2020, April 13).

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.

Singer, K. (2022). “Shapeshifting Romantic Consciousness." In Richard Sha and Joel Faflak (Eds.), Romanticism and Consciousness, Revisited (pp. 311-338). Edinburgh University Press.

Singer, K. (2019). Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation. SUNY Press: Albany, NY.

Singer, K. "'It's the End of the World as We Know It and I Feel Queer': Mary Shelley, Queer Affect, and Shapeshifting through The Last Man." In K. Singer, A. Cross, and S. L. Barnett (Eds.). Material Transgressions: Beyond Bodies, Genders, Things (213-232). Liverpool University Press.

Singer, K., Cross, A. & Barnett, S. L. (Eds.) (2020). Material Transgressions: Beyond Bodies, Genders, Things. Liverpool University Press.