Faculty Accomplishments

Monroe, A. (2023) An episode of Les Délices' SalonEra featured a program that I created as Artistic Director for medieval music ensemble Trobár. Interviews with myself and another performer are interspersed with recordings of a May 2023 performance. https://salonera.org/podcast/shipwreck/

Light on a Path, Follow, has screened at nearly two dozen film festivals and events since the beginning of the pandemic and was awarded Best of Show: Short Films at the Boston LGBTQ Film Festival. Read a review of the film and an interview with The New Current.

Presented his recent film, Light on a Path, Follow, as part of the Trans*Revolutions Virtual Symposium, presented by Barnard Center for Research on Women. This virtual symposium featured artist-activists whose work is inspired by and engaged in imagining trans* and genderqueer histories, performances, identities, and aesthetics.

Moradi, S., Morse, A. C., Murphy, A. B., Pakru, D., & Shehabad, H. (2022). Geographies of precarity and violence in the Kurdish kolberi underground economy. Political Geography, 95, 102562.

Mosby, D. E.  (2003) Place, Language, and Identity in Afro-Costa Rican Literature. Columbia: University of Missouri Press.

Mosby, D. E. (2014) Quince Duncan: Writing Afro-Costa Rican and Caribbean Identity.  Tuscaloosa: University of Alabama Press.

Mosby, D. E., translator (2018).  Quince Duncan's Weathered Men and The Four Mirrors:  Two Novels of Afro-Costa Rican Identity.  Afro-Latin@ Diaspora Series, Palgrave Macmillan.

Moskowitz, A. The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century.” NOVEL: A Forum on Fiction, vol. 56, no. 1, 2023, pp. 1-20.

Moskowitz, A. “Apathy, Political Emotion, and the Politics of Space in Thoreau’s Antislavery Writing.” Criticism: A Quarterly for Literature and the Arts, vol. 64, no. 2, 2022, pp. 139-160.

Moskowitz, A. “Martin Delany: Labor, Ecology, and Black Freedom.” The Concord Saunterer: A Journal of Thoreau Studies, vol. 30, 2022, pp. 59-75.